New exhibition of Rhode Island artists opens at T.F. Green Airport

The Rhode Island State Council on the Arts (RISCA) announced a new art exhibition on display at TF Green Airport’s GREEN SPACE Gallery. The new exhibition features works of art by Rhode Island artists Karen Drysdale Harris, of Cranston, Felicia Megginson, of Providence, and Pneuhaus Collective, of Rumford, and will be on display through May 24.
  

“RISCA is thrilled to be able to continue to highlight RI’s incredible artists through exhibits at the gallery at TF Green Airport. This gallery provides a terrific way to greet travelers by sharing our State’s outstanding creativity and impressing on visitors RI’s thriving arts community—a key economic driver.” 

–RANDALL ROSENBAUM, RISCA, EXECUTIVE DIRECTOR

The artists are:

Karen Drysdale Harris, of Cranston, is a Jamaican-born watercolorist and oil painter and graduate of Rhode Island School of Design. Her primary sources of inspiration are nature and the memory of her Jamaican roots. Karen’s “Doctor Birds-Hummingbirds” uses the banana leaves that she has grown to engage the viewer in experiencing the memories they evoke of her Jamaican childhood on her grandparent’s banana farm. The banana plant symbolizes her memory of her immigrant story of displacement and the comfort she took in the natural world that surrounded her.  

Felicia Megginson is a Providence-based photographic artist who holds an M.A. in Photographic Studies from New York University. Much of her representational imagery is centered in identity as it relates to cultural, societal, and familial pressures that work to form it.  “I use photography as a means of measuring and marking my place in the world, while also documenting the energies that connect and flow through us.”  

The ongoing series “Numinous World” consists of four suites of images that are an extension of this practice. These fractal-like images are ethereal, sensual, macabre and slightly ominous, reflecting her emotional state since the passing of both parents in 2016 and 2018, and the oppressive uncertainty of the ongoing pandemic. For Megginson, simply “being” in natural spaces provides restorative and grounding energy, and this series is her extension of that grounding to anyone who views her work.